A sad one, surely.
Frost kills the flowers that blossom out of season;And these precocious intellects portend A life of sorrow or an early death.
VITTORIA.
About the court were many learned men;
Chilian Sinapius from beyond the Alps, And Celio Curione, and Manzolli, The Duke's physician; and a pale young man, Charles d'Espeville of Geneva, whom the Duchess Doth much delight to talk with and to read, For he hath written a book of Institutes The Duchess greatly praises, though some call it The Koran of the heretics.
JULIA.
And what poets Were there to sing you madrigals, and praise Olympia's eyes and Cherubina's tresses?
VITTORIA.
No; for great Ariosto is no more.
The voice that filled those halls with melody Has long been hushed in death.
JULIA.
You should have made A pilgrimage unto the poet's tomb, And laid a wreath upon it, for the words He spake of you.
VITTORIA.
And of yourself no less, And of our master, Michael Angelo.
MICHAEL ANGELO.
Of me?
VITTORIA.
Have you forgotten that he calls you Michael, less man than angel, and divine?
You are ungrateful.
MICHAEL ANGELO.
A mere play on words.
That adjective he wanted for a rhyme, To match with Gian Bellino and Urbino.
VITTORIA.
Bernardo Tasso is no longer there, Nor the gay troubadour of Gascony, Clement Marot, surnamed by flatterers The Prince of Poets and the Poet of Princes, Who, being looked upon with much disfavor By the Duke Ercole, has fled to Venice.
MICHAEL ANGELO.
There let him stay with Pietro Aretino, The Scourge of Princes, also called Divine.
The title is so common in our mouths, That even the Pifferari of Abruzzi, Who play their bag-pipes in the streets of Rome At the Epiphany, will bear it soon, And will deserve it better than some poets.
VITTORIA.
What bee hath stung you?
MICHAEL ANGELO.
One that makes no honey;
One that comes buzzing in through every window, And stabs men with his sting.A bitter thought Passed through my mind, but it is gone again;I spake too hastily.
JULIA.
I pray you, show me What you have done.
MICHAEL ANGELO.
Not yet; it is not finished.
PART SECOND
I
MONOLOGUE
A room in MICHAEL ANGELO'S house.
MICHAEL ANGELO.
Fled to Viterbo, the old Papal city Where once an Emperor, humbled in his pride, Held the Pope's stirrup, as his Holiness Alighted from his mule! A fugitive From Cardinal Caraffa's hate, who hurls His thunders at the house of the Colonna, With endless bitterness!--Among the nuns In Santa Catarina's convent hidden, Herself in soul a nun! And now she chides me For my too frequent letters, that disturb Her meditations, and that hinder me And keep me from my work; now graciously She thanks me for the crucifix I sent her, And says that she will keep it: with one hand Inflicts a wound, and with the other heals it.
[Reading.
"Profoundly I believed that God would grant you A supernatural faith to paint this Christ;I wished for that which I now see fulfilled So marvellously, exceeding all my wishes.
Nor more could be desired, or even so much.
And greatly I rejoice that you have made The angel on the right so beautiful;For the Archangel Michael will place you, You, Michael Angelo, on that new day Upon the Lord's right hand! And waiting that, How can I better serve you than to pray To this sweet Christ for you, and to beseech you To hold me altogether yours in all things."Well, I will write less often, or no more, But wait her coming.No one born in Rome Can live elsewhere; but he must pine for Rome, And must return to it.I, who am born And bred a Tuscan and a Florentine, Feel the attraction, and I linger here As if I were a pebble in the pavement Trodden by priestly feet.This I endure, Because I breathe in Rome an atmosphere Heavy with odors of the laurel leaves That crowned great heroes of the sword and pen, In ages past.I feel myself exalted To walk the streets in which a Virgil walked, Or Trajan rode in triumph; but far more, And most of all, because the great Colonna Breathes the same air I breathe, and is to me An inspiration.Now that she is gone, Rome is no longer Rome till she return.
This feeling overmasters me.I know not If it be love, this strong desire to be Forever in her presence; but I know That I, who was the friend of solitude, And ever was best pleased when most alone, Now weary grow of my own company.
For the first time old age seems lonely to me.
[Opening the Divina Commedia.
I turn for consolation to the leaves Of the great master of our Tuscan tongue, Whose words, like colored garnet-shirls in lava, Betray the heat in which they were engendered.
A mendicant, he ate the bitter bread Of others, but repaid their meagre gifts With immortality.In courts of princes He was a by-word, and in streets of towns Was mocked by children, like the Hebrew prophet, Himself a prophet.I too know the cry, Go up, thou bald head! from a generation That, wanting reverence, wanteth the best food The soul can feed on.There's not room enough For age and youth upon this little planet.
Age must give way.There was not room enough Even for this great poet.In his song I hear reverberate the gates of Florence, Closing upon him, never more to open;But mingled with the sound are melodies Celestial from the gates of paradise.
He came, and he is gone.The people knew not What manner of man was passing by their doors, Until he passed no more; but in his vision He saw the torments and beatitudes Of souls condemned or pardoned, and hath left Behind him this sublime Apocalypse.
I strive in vain to draw here on the margin The face of Beatrice.It is not hers, But the Colonna's.Each hath his ideal, The image of some woman excellent, That is his guide.No Grecian art, nor Roman, Hath yet revealed such loveliness as hers.
II
VITERBO
VITTORIA COLONNA at the convent window.
VITTORIA.
