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第31章

CAESAR (delighted). Lucius Septimius: you are henceforth my officer. Rufio: the Egyptians must have sent every soldier from the city to prevent Mithridates crossing the Nile. There is nothing in the streets now but mob--mob!

LUCIUS. It is so. Mithridates is marching by the great road to Memphis to cross above the Delta. Achillas will fight him there.

CAESAR (all audacity). Achillas shall fight Caesar there. See, Rufio. (He runs to the table; snatches a napkin; and draws a plan on it with his finger dipped in wine, whilst Rufio and Lucius Septimius crowd about him to watch, all looking closely, for the light is now almost gone.) Here is the palace (pointing to his plan): here is the theatre. You (to Rufio) take twenty men and pretend to go by THAT street (pointing it out); and whilst they are stoning you, out go the cohorts by this and this. My streets are right, are they, Lucius?

LUCIUS. Ay, that is the fig market--

CAESAR (too much excited to listen to him). I saw them the day we arrived. Good! (He throws the napkin on the table and comes down again into the colonnade.) Away, Britannus: tell Petronius that within an hour half our forces must take ship for the western lake. See to my horse and armor. (Britannus runs out.) With the rest I shall march round the lake and up the Nile to meet Mithridates. Away, Lucius; and give the word.

Lucius hurries out after Britannus.

RUFIO. Come: this is something like business.

CAESAR (buoyantly). Is it not, my only son? (He claps his hands.

The slaves hurry in to the table.) No more of this mawkish reveling: away with all this stuff: shut it out of my sight and be off with you. (The slaves begin to remove the table; and the curtains are drawn, shutting in the colonnade.) You understand about the streets, Rufio?

RUFIO. Ay, I think I do. I will get through them, at all events.

The bucina sounds busily in the courtyard beneath.

CAESAR. Come, then: we must talk to the troops and hearten them.

You down to the beach: I to the courtyard. (He makes for the staircase.)CLEOPATRA (rising from her seat, where she has been quite neglected all this time, and stretching out her hands timidly to him). Caesar.

CAESAR (turning). Eh?

CLEOPATRA. Have you forgotten me?

CAESAR. (indulgently). I am busy now, my child, busy. When Ireturn your affairs shall be settled. Farewell; and be good and patient.

He goes, preoccupied and quite indifferent. She stands with clenched fists, in speechless rage and humiliation.

RUFIO. That game is played and lost, Cleopatra. The woman always gets the worst of it.

CLEOPATRA (haughtily). Go. Follow your master.

RUFIO (in her ear, with rough familiarity). A word first. Tell your executioner that if Pothinus had been properly killed--INTHE THROAT--he would not have called out. Your man bungled his work.

CLEOPATRA (enigmatically). How do you know it was a man?

RUFIO (startled, and puzzled). It was not you: you were with us when it happened. (She turns her back scornfully on him. He shakes his head, and draws the curtains to go out. It is now a magnificent moonlit night. The table has been removed. Ftatateeta is seen in the light of the moon and stars, again in prayer before the white altar-stone of Ra. Rufio starts; closes the curtains again softly; and says in a low voice to Cleopatra) Was it she? With her own hand?

CLEOPATRA (threateningly). Whoever it was, let my enemies beware of her. Look to it, Rufio, you who dare make the Queen of Egypt a fool before Caesar.

RUFIO (looking grimly at her). I will look to it, Cleopatra. (He nods in confirmation of the promise, and slips out through the curtains, loosening his sword in its sheath as he goes.)ROMAN SOLDIERS (in the courtyard below). Hail, Caesar! Hail, hail!

Cleopatra listens. The bucina sounds again, followed by several trumpets.

CLEOPATRA (wringing her hands and calling). Ftatateeta.

Ftatateeta. It is dark; and I am alone. Come to me. (Silence.)Ftatateeta. (Louder.) Ftatateeta. (Silence. In a panic she snatches the cord and pulls the curtains apart.)Ftatateeta is lying dead on the altar of Ra, with her throat cut.

Her blood deluges the white stone.

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