登陆注册
88606400000003

第3章 ABSTRACT

Ian McEwan, one of the foremost contemporary novelists in Britain, believes that the novel is a mode of enquiry into human nature. He insists that empathy is at the core of humanity and the beginning of morality. McEwan's concern for empathy and morality finds its expression in his novels. However, so far little research has been systematically carried out on empathy among characters in McEwan's novels. The emphasis on the moral function of empathy can be dated back to David Hume and Adam Smith in the 18th century. Since then some philosophers in phenomenology, psychologists and theorists of the ethics of care have stressed the importance of empathy in human life. This book launches a critical study of McEwan's works from the perspective of empathy in the framework of ethical criticism. Through a systematic examination of various types of empathy demonstrated among the characters in McEwan's six major novels, and of the relevant ethical problems between self and others, it aims at revealing McEwan's insights into human nature.

Chapter One explores the relations between deficiency in empathy and the emergence of violent behaviour. Positioning individuals in their specific political and historical situation, McEwan explores links between empathy deficiency and violence through analyzing the ways in which characters reveal their violent human nature as a result of empathy erosion, empathy fragility and empathy exhaustion. He approaches the grand European history through subtle descriptions of individuals in their historical context, thus fusing his exploration of human nature with the violent history of the 20th century. In The Innocent, which is set in Berlin in 1955 at the height of the Cold War, McEwan exposes the violent potential hidden in human nature and criticizes the ideology and military violence which contribute to an individual's empathy erosion through portraying how a gentle and introverted young Englishman becomes an extremely cruel man. Black Dogs explores empathy fragility after the Holocaust and reveals the dark violent desire of human beings by indirectly representing prison camp atrocities through aesthetic transgression. In Atonement, McEwan subverts the beautifying narrative of the Dunkirk retreat in national memory through the vivid description of war violence from a soldier's perspective. The soldiers who witness violence in the battlefield tend to suffer from empathy exhaustion which makes them reveal the “banality of evil”, with human nature's violent potential reflected in the pathological madness of warfare in the battlefield. McEwan believes human beings should confront violence in history and admit the potential for violence in human nature so that we might strive for a better, peaceful future for all humankind.

Chapter Two analyzes how barriers to empathic understanding have caused estranged relationships among lovers or married couples. In McEwan's novels, though the lovers or couples love each other, they fail to practise empathic understanding in their relationships as a result of their narrowed view related to their respective gender identity, cognitive paradigm and value orientation. Some protagonists try to empathize with their partners, but they fail to have access to the alterity of their partners emotionally or cognitively due to the limitations of the self-centered cognitive framework related to their pseudo-empathy, which finally leads to their emotional estrangement. In Enduring Love the male protagonist Joe, after the emotional and moral trial of a traumatic accident, is unwilling to reveal his fragile feelings of guilt to his lover Clarissa. Instead, he is obsessed with his self-concern to reconstruct his masculinity in the hope of impressing Clarissa. Though Clarissa once tries to approach Joe in the manner of empathic understanding, she does not get an empathic response from Joe. Joe's closed male self hinders the empathic understanding and communications between him and Clarissa. In Black Dogs the narrator's parents-in-law, who have different cognitive paradigms and value orientations, suffer from years of emotional estrangement as the result of each one's negation of the other's alterity. McEwan exposes the self-centeredness in human nature implied in the failed empathic understanding and failed communications among the protagonists. Usually people tend to approach others from their own self-centered cognitive perspective with insufficient respect or tolerance for the alterity of the Other, trying to reduce the Other to the same in a violent way. Even the intimate relationship of couples and lovers is no exception.

Chapter Three discusses the relationship between empathizing with others and the ethical existence of the self by focusing on The Child in Time, Atonement and Saturday. McEwan in these novels explores the way that the characters transform from a lack of empathic concern to the enhancement of empathy for others. These protagonists are on their way to approaching an ethical existence by showing the empathic understanding and empathic care of others. The protagonist in The Child in Time becomes trapped in narcissistic concerns after experiencing the trauma of losing his child but ultimately recovers from this trauma by showing empathic understanding and care for relatives and friends. The adolescent protagonist in Atonement suffers from not being empathically nurtured since childhood by her parents in a dysfunctional family. Based on her arbitrary interpretation of others in her self-centered interpretative framework, Briony causes an innocent person to suffer years of imprisonment as a result of her false accusation. As she grows older, her capacity for empathy becomes stronger and she tries through writing a novel both to make atonement and to get an empathic understanding of others' alterity, increasing her ethical awareness. The protagonist in Saturday, first obsessed with concern for a separated self in Levinas's words, and indifferent to the marginalized, finally extends his empathic care to strangers, thus approaching the ethical subjectivity of a responsible agent. What McEwan affirms is the possibility of an ethical existence for human beings through the care of others. In other words, McEwan celebrates the positive side of human nature trying to seek an ethical solution to the violent conflict between self and others in the contemporary post-“9·11” world.

This book explores different types of empathy in relation to complex moral and ethical issues in McEwan's novels. There is moral failure when individuals regard others as objects to realize their violent desire, revealing violence in human nature that results from empathy deficiency, or lack of empathy toward others. Usually empathy finds its expression to some degree in intimate gender relationships. However, there are barriers to empathic understanding in the ethical implications of a lack of perspective taking. Thus the couple or lovers fail to affirm or tolerate each other's alterity. When a person strengthens his empathy as his cognitive ability develops, extending the empathic care beyond his relatives, friends, and acquaintances to strangers, he assumes the infinite responsibility towards others as an ethical response to the call of the face of the Other, which constitutes ethical subjectivity in Levinas's terms. Approaching empathy in McEwan's novels, we catch a glimpse into how individuals experience the development from a lack of empathy toward others, to an empathic understanding, to the assumption of an infinite responsibility for others. McEwan exposes human nature's violent potential and the weakness of self-centeredness, while he also celebrates the side of human nature that shows care for the interest of others. He is optimistic about the future of humankind.

Hailed as the most technically accomplished of all modern British writers, McEwan portrays human beings' actions and thoughts under different circumstances to reveal the complexity of behavior and motivation. However, he never gives readers any clear moral guidance. What he is attempting in his writing is to investigate the possibility of human potential and human nature in an open-ended way. What McEwan repeatedly stresses as ethically important is individuals' empathy towards others, and consequently we find an emphasis on the open possibility of human beings' ethical existence throughout his novels.

同类推荐
  • 外国文学评介丛书-陀思妥耶夫斯基

    外国文学评介丛书-陀思妥耶夫斯基

    本套丛书用深入浅出、生动活泼的形式向读者系统地介绍从古至今世界各国著名的文学作家和他们的优秀代表作品。这套丛书将引导青年朋友去漫游一番那绚丽多彩、浩瀚无边的文学世界——从古希腊的神话王国到中世纪的骑士、城堡;从铁马金戈的古战场到五光十色的繁华都市;从奔腾喧嚣的河流、海洋到恬静幽美的峡谷、森林、农舍、田庄…它将冲破多年来极左路线对文学领域的禁锢和封锁,丰富青年朋友的精神生活,为青年朋友打开一扇又一扇世界文学之窗,让读者花费不多的时间就能游历世界的每一个角落,浏览各国人民今天、昨天、前天直至遥远的过去的丰富多彩的生活图景,去体会他们的劳动、爱情、幸福、欢乐以及痛苦、忧伤、斗争、希望…
  • 风景独好

    风景独好

    随着老树年轮的急速增加,尤其是时代脚步的快节奏、目不暇接,白去年始,晨昏里,将尚未成形、业已成形,以及见诸报刊却尘积散乱的诗稿,粗略地整理成八卷,即:奇山秀水、群星灿烂、乡间掠影、桃源杏林、红色印记、古迹斑斓、思绪缤纷、花香鸟语,以《风景独好》命名,作为封笔之册,一揽子出版。至10月份,初稿打印出来,闲传于有关领导、专家学者、笔友同行间。有“好事者”直言不讳日:“诗堆词垛,面面俱到,拖沓冗长,有谁个看?倒不如取其一侧,抽个单项,简短玲珑些好!”我顿然懵了,不知所措……
  • 解读阎府

    解读阎府

    本书共分为沧桑阎府和魅力民俗两个部分,分别从阎锡山及其家族、阎府的主要建筑、阎府的建筑风格、阎府的雕刻艺术等方面解读阎府。
  • 春天借我一双手

    春天借我一双手

    自己的诗歌就是自己的图腾,而自己的思想就是图腾的颜色。
  • 火车头震荡:宜万铁路始末

    火车头震荡:宜万铁路始末

    蜀道难,难于上青天!作为古蜀道中最艰险的南部通道,宜万铁路线上山高壁陡,河谷深切。岩溶、顺层、滑坡、断层破碎带和崩塌等不良地质现象分布广泛,是目前国内铁路中最困难、最复杂的铁路。作家赵瑜用感性的文字为读者展示了其中的惊叹、悲伤、感动和震撼。377公里的宜万铁路,足以惊天地泣鬼神!
热门推荐
  • 血洗武林

    血洗武林

    写我想写的故事,我就是这样的写手。。。。。
  • 林少要追大姐大

    林少要追大姐大

    如果你暗恋的男神不喜欢你会怎么样?他林梓轩是她夏紫薇暗恋了多年的学长,可当他一声不吭的走了,她才知道在他眼里自己一点也不重要!当他回来的时候还带着一个清纯的女孩,可她已经从原来清纯的少女,变成了一个帮派的大姐大。当他后来发现他爱的并不是那个女孩,而是他的时候,他已经是她身边可有可无的人了!他发现他爱的人依然还是她?他找到他手下说:“放我进去我是你们老大孩子他爸。”“抱歉我们大姐说她不认识你,你是个疯子,请你离开。”他爬进窗子到她房间说:“夏子微你休想离开我。”
  • 天行

    天行

    号称“北辰骑神”的天才玩家以自创的“牧马冲锋流”战术击败了国服第一弓手北冥雪,被誉为天纵战榜第一骑士的他,却受到小人排挤,最终离开了效力已久的银狐俱乐部。是沉沦,还是再次崛起?恰逢其时,月恒集团第四款游戏“天行”正式上线,虚拟世界再起风云!
  • 无爱虐罪

    无爱虐罪

    z市夜晚颍乐庄园?????“啪”????????洛妍妍一脸愤怒的盯着面前床上衣衫不整的女人,脸色苍白。????????女人摸着被打歪的脸,脸上充满错愕,然后是愤怒,吼道;“你居然敢打我?”????????洛妍妍愤怒的再次抬起手,手腕忽然被一道力度握住。转头对上了一道冰冷的视线,接着手被用力甩开,洛妍妍踉跄了几步,抬起头,再次对上了那到冰冷的视线,愤怒的问道;“为什么?!”
  • 绿草茵茵时

    绿草茵茵时

    曾经以为所有的相遇都是命运的捉弄,可遇见你之后,我才知道,那是早就定下的姻缘宿债。绿草茵茵时,我自沿这乱世风景而行,直到,找到你。
  • 花心总裁的大牌助理

    花心总裁的大牌助理

    白天,她是精明过人的总裁助理,晚上,她是风情万种的妖娆女郎,她算计,她诱惑,她退却,她本来去如风,只为了,贪恋那游走花丛的男人,寻求万劫不复的出路,成就那一晌贪欢。
  • 天行

    天行

    号称“北辰骑神”的天才玩家以自创的“牧马冲锋流”战术击败了国服第一弓手北冥雪,被誉为天纵战榜第一骑士的他,却受到小人排挤,最终离开了效力已久的银狐俱乐部。是沉沦,还是再次崛起?恰逢其时,月恒集团第四款游戏“天行”正式上线,虚拟世界再起风云!
  • 焚天迹

    焚天迹

    过去的,不必存在。遗留的,会有人的解密。。。万古匆匆,一个个的时代,人们一直追求的仙,而仙到底是什么。。。时代的更替,世纪的轮回。命运的不测,时光的无情。任你风华绝代还是盖世无双,都逃脱不了寿元干枯的悲哀。这是一种无奈,还是一种可歌可泣的幸运,了解的越多,对过去的认知便有更多的颠覆。焚天迹,告诉我们一段不为人知的历史,一个不为人知的秘密,一个带给我们成仙的启示。脚踏星空,万古永存,时空破碎,我亦不朽!
  • 农门福宝小媳妇

    农门福宝小媳妇

    杏花村来了个小乞丐人人嫌弃怕浪费口粮,只有叶家不嫌弃收养她,村里人等着看笑话,结果啪啪打脸!叶家大嫂多年无孕,宠了福娃娃,次年生下龙凤胎!叶家大哥宠了福娃娃,金银珠宝滚滚来!奇葩亲戚邻居,欺负福娃娃,天天出门倒血霉!所有疼爱铃儿的人,都有了福报;所有欺负铃儿的人,都有了祸事;叶家的老三叶骏这才发现自家的小媳妇,来路很不寻常呀!
  • 慎子

    慎子

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。