Some will tell us that the unveiled light is too clear or sharp for art. So much the worse for art; but even on that plea the limitations of art are better respected by natural mist, cloudy gloom of natural rain, natural twilight before night, or natural twilight--Corot's--before day, than by the artificial dimness of our unlovely towns. Those, too, who praise the "mystery" of smoke are praising rather a mystification than a mystery; and must be unaware of the profounder mysteries of light. Light is all mystery when you face the sun, and every particle of the innumerable atmosphere carries its infinitesimal shadow.
Moreover, it is only in some parts of the world that we should ask for even natural veils. In California we may, not because the light is too luminous, but because it is not tender. Clear and not tender in California, tender and not clear in England; light in Italy and in Greece is both tender and clear.
When one complains of the ill-luck of modern utilities, the sympathetic listener is apt to agree, but to agree wrongly by denouncing the electric light as something modern to be deplored.
But the electric light is the one success of the last century. It is never out of harmony with natural things--villages, ancient streets of cities, where it makes the most beautiful of all street-lighting, swung from house to opposite house in Genoa or Rome. With no shock, except a shock of pleasure, does the judicious traveller, entering some small sub-alpine hamlet, find the electric light, fairly, sparingly spaced, slung from tree to tree over the little road, and note it again in the frugal wine-shop, and solitary and clear over the church portal.
Yet, forsooth, if yielding to the suggestions of your restless hobby, you denounce, in any company, the spoiling of your Italy, the hearer, calling up a "mumping visnomy," thinks he echoes your complaint by his sigh, "Ah, yes--the electric light; you meet it everywhere now; so modern, so disenchanting." It is, on the contrary, enchanting. It is as natural as lightning. By all means let all the waterfalls in all the Alps be "harnessed," as the lamentation runs, if their servitude gives us electric light. For thus the power of the waterfall kindles a lovely lamp. All this to be done by the ****** force of gravitation--the powerful fall of water. "Wonderful, all that water coming down!" cried the tourist at Niagara, and the Irishman said, "Why wouldn't it?" He recognised the simplicity of that power. It is a second-rate passion--that for the waterfall, and often exacting in regard to visitors from town.
"I trudged unwillingly," says Dr. Johnson, "and was not sorry to find it dry." It was very, very second-rate of an American admirer of scenery to name a waterfall in the Yosemite Valley (and it bears the name to-day) the "Bridal Veil." His Indian predecessor had called it, because it was most audible in menacing weather, "The Voice of the Evil Wind." In fact, your cascade is dearer to every sentimentalist than the sky. Standing near the folding-over place of Niagara, at the top of the fall, I looked across the perpetual rainbow of the foam, and saw the whole further sky deflowered by the formless, edgeless, languid, abhorrent murk of smoke from the nearest town. Much rather would I see that water put to use than the sky so outraged. As it is, only by picking one's way between cities can one walk under, or as it were in, a pure sky. The horizon in Venice is thick and ochreous, and no one cares; the sky of Milan is defiled all round. In England I must choose a path alertly; and so does now and then a wary, fortunate, fastidious wind that has so found his exact, uncharted way, between this smoke and that, as to clear me a clean moonrise, and heavenly heavens.
There was an ominous prophecy to Charmian. "You shall outlive the lady whom you serve." She has outlived her in every city in Europe;but only for the time of setting straight her crown--the last servility. She could not live but by comparison with the Queen.
