The French Revolution may be said to have, for about half a century, quite submerged Friedrich, abolished him from the memories of men; and now on coming to light again, he is found defaced under strange mud-incrustations, and the eyes of mankind look at him from a singularly changed, what we must call oblique and perverse point of vision. This is one of the difficulties in dealing with his History;--especially if you happen to believe both in the French Revolution and in him; that is to say, both that Real Kingship is eternally indispensable, and also that the destruction of Sham Kingship (a frightful process) is occasionally so. On the breaking-out of that formidable Explosion, and Suicide of his Century, Friedrich sank into comparative obscurity;eclipsed amid the ruins of that universal earthquake, the very dust of which darkened all the air, and made of day a disastrous midnight. Black midnight, broken only by the blaze of conflagrations;--wherein, to our terrified imaginations, were seen, not men, French and other, but ghastly portents, stalking wrathful, and shapes of avenging gods. It must be owned the figure of Napoleon was titanic; especially to the generation that looked on him, and that waited shuddering to be devoured by him. In general, in that French Revolution, all was on a huge scale; if not greater than anything in human experience, at least more grandiose. All was recorded in bulletins, too, addressed to the shilling-gallery; and there were fellows on the stage with such a breadth of sabre, extent of whiskerage, strength of windpipe, and command of men and gunpowder, as had never been seen before. How they bellowed, stalked and flourished about;counterfeiting Jove's thunder to an amazing degree! Terrific Drawcansir figures, of enormous whiskerage, unlimited command of gunpowder; not without sufficient ferocity, and even a certain heroism, stage-heroism, in them; compared with whom, to the shilling-gallery, and frightened excited theatre at large, it seemed as if there hsd been no generals. or sovereigns before;as if Friedrich, Gustavus, Cromwell, William Conqueror and Alexander the Great were not worth speaking of henceforth.
All this, however, in half a century is considerably altered.
The Drawcansir equipments getting gradually torn off, the natural size is seen better; translated from the bulletin style into that of fact and history, miracles, even to the shilling-gallery, are not so miraculous. It begins to be apparent that there lived great men before the era of bulletins and Agamemnon.
Austerlitz and Wagram shot away more gunpowder,--gunpowder probably in the proportion of ten to one, or a hundred to one;but neither of them was tenth-part such a beating to your enemy as that of Rossbach, brought about by strategic art, human ingenuity and intrepidity, and the loss of 165 men. Leuthen, too, the battle of Leuthen (though so few English readers ever heard of it) may very well hold up its head beside any victory gained by Napoleon or another. For the odds were not far from three to one; the soldiers were of not far from equal quality; and only the General was consummately superior, and the defeat a destruction.
Napoleon did indeed, by immense expenditure of men, and gunpowder, overrun Europe for a time: but Napoleon never, by husbanding and wisely expending his men and gunpowder, defended a little Prussia against all Europe, year after year for seven years long, till Europe had enough, and gave up the enterprise as one it could not manage. So soon as the Drawcansir equipments are well torn off, and the shilling-gallery got to silence, it will be found that there were great kings before Napoleon,--and likewise an Art of War, grounded on veracity and human courage and insight, not upon Drawcansir rodomontade, grandiose ****-Turpinism, revolutionary madness, and unlimited expenditure of men and gunpowder. "You may paint with a very big brush, and yet not be a great painter,"says a satirical friend of mine! This is becoming more and more apparent, as the dust-whirlwind, and huge uproar of the last generation, gradually dies away again.
2. EIGHTEENTH CENTURY.
One of the grand difficulties in a History of Friedrich is, all along, this same, That he lived in a Century which has no History and can have little or none. A Century so opulent in accumulated falsities,--sad opulence descending on it by inheritance, always at compound interest, and always largely increased by fresh acquirement on such immensity of standing capital;--opulent in that bad way as never Century before was! Which had no longer the consciousness of being false, so false had it grown; and was so steeped in falsity, and impregnated with it to the very bone, that--in fact the measure of the thing was full, and a French Revolution had to end it. To maintain much veracity in suoh an element, especially for a king, was no doubt doubly remarkable.
But now, how extricate the man from his Century? How show the man, who is a Reality worthy of being seen, and yet keep his Century, as a Hypocrisy worthy of being hidden and forgotten, in the due abeyance?
To resuscitate the Eighteenth Century, or call into men's view, beyond what is necessary, the poor and sordid personages and transactions of an epoch so related to us, can be no purpose of mine on this occasion. The Eighteenth Century, it is well known, does not figure to me as a lovely one; needing to be kept in mind, or spoken of unnecessarily. To me the Eighteenth Century has nothing grand in it, except that grand universal Suicide, named French Revolution, by which it terminated its otherwise most worthless existence with at least one worthy act;--setting fire to its old home and self; and going up in flames and volcanic explosions, in a truly memorable and important manner. A very fit termination, as I thankfully feel, for such a Century.
