All through November, this sending of Plate, I never knew with what net-result of moneys coinable, goes on in Paris; till, at the highest tables, there is nothing of silver dishes left;-- and a new crockery kind (rather clumsy; "CULS NOIRS," as we derisively call them, pigment of BOTTOM part being BLACK) has had to be contrived instead. Under what astonishments abroad and at home, and in the latter region under what execrations on Silhouette, may be imagined. "TOUT LE MONDE JURE BEAUCOUP CONTRE M. DE SILHOUETTE, All the world swears much against him," says Barbier;--but I believe probably he was much to be pitied: "A creative genius, you; and this is what you come to?"November 22d, the poor man got dismissed; France swearing at him, Iknow not to what depth; but howling and hissing, evidently, with all its might. The very tailors and milliners took him up,--trousers without pockets, dresses without flounce or fold, which they called A LA SILHOUETTE:--and, to this day, in France and Continental Countries, the old-fashioned Shadow-Profile (mere outline, and vacant black) is practically called a SILHOUETTE.
So that the very Dictionaries have him; and, like bad Count Reinhart, or REYNARD, of earlier date, he has become a Noun Appellative, and is immortalized in that way. The first of that considerable Series of Creative Financiers, Abbe Terray and the rest,--brought in successively with blessings, and dismissed with cursings and hissings,--who end in Calonne, Lomenie de Brienne, and what Mirabeau Pere called "the General Overturn (CULBUTEGENERALE)." Thitherward, privately, straight towards the General Overturn, is France bound;--and will arrive in about thirty years.
FRIEDRICH, STRANGE TO SAY, PUBLISHES (March-June, 1760)AN EDITION OF HIS POEMS. QUESTION, "WHO WROTE Matinees du Roi de Prusse?"--FOR THE SECOND, AND POSITIVELY THE LAST TIME.
In this avalanche of impending destructions, what can be more surprising than to hear of the Editing of Poems on his Majesty's part! Actual publication of that OEuvre de Poesie, for which Voltaire, poor gentleman, suffered such tribulation seven years ago. Now coming out from choice: Reprint of it, not now to the extent of twelve copies for highly special friends, but in copious thousands, for behoof of mankind at large! The thing cost Friedrich very little meditating, and had become necessary,--and to be done with speed.
Readers recollect the OEUVRE DE POESIE, and satirical hits said to be in it. At Paris, about New-year's time 1760, some helpful Hand had contrived to bring out, under the pretended date "Potsdam," a cheap edition of that interesting Work. [<italic> "OEuvres du Philosophe de Sans-Souci:" <end italic> 1 vol. 12 mo, "Potsdam [PARIS, in truth], 1760."] Merely in the way of theft, as appeared to cursory readers, to D'Argens, for example: [His Letter to the King, <italic> OEuvres de Frederic, <end italic> xix. 138.] but, in deeper fact, for the purpose of apprising certain Crowned Heads, friendly and hostile,--Czarish Majesty and George II. of England the main two,--what this poetizing King was pleased to think of them in his private moments. D'Argens declares himself glad of this theft, so exquisitely clever is the Book. But Friedrich knows better: "March 17th, when a Copy of it came to him," Friedrich sees well what is meant,--and what he himself has to do in it.
He instantly sets about ****** a few suppressions, changes of phrase; sends the thing to D'Argens: "Publish at once, with a little prefatory word." And, at the top of his speed, D'Argens has, in three weeks' time, the suitable AVANT-PROPOS, or AVIS AULIBRAIRE, "circulating in great quantities, especially in London and Petersburg" ("Thief Editor has omitted; and, what is far more, has malignantly interpolated: here is the poor idle Work itself, not a Counterfeit of it, if anybody care to read it"), and an Orthodox Edition ready. [Came out April 9th [see MITCHELL, ii.
153], and a second finer Edition in June:" in <italic> OEuvres de Frederic, <end italic> x. p. x, xix. 137 n., 138; especially in PREUSS, i. 467, 468 (if you will compare him with HIMSELF on these different occasions, and patiently wind out his bit of meaning), all manner of minutest details.] The diligent Pirate Booksellers, at Amsterdam, at London, copiously reproduced this authorized Berlin Edition too,--or added excerpts from it to their reprints of the Paris one, by way of various-readings. And everybody read and compared, what nobody will now do; theme, and treatment of theme, being both now so heartily indifferent to us.
Who the Perpetrator of this Parisian maleficence was, remained dark;--and would not be worth inquiring into at all, except for two reasons intrinsically trifling, but not quite without interest to readers of our time. First, that Voltaire, whom some suspected (some, never much Friedrich, that I hear of), appears to have been perfectly innocent;--and indeed had been incapacitated for guilt, by Schmidt and Freytag, and their dreadful Frankfurt procedures!
This is reason FIRST; poor Voltaire mutely asking us, Not to load him with more sins than his own. Reason SECOND is, that, by a singular opportunity, there has, in these very months, [Spring, 1863.] a glimmering of light risen on it to this Editor;illustrating two other points as well, which readers here are acquainted with, some time ago, as riddles of the insignificant sort. The DEMON NEWSWRITER, with his "IDEA" of Friedrich, and the "MATINEES DU ROI DE PRUSSE:" readers recollect both those Productions; both enigmatic as to authorship;--but both now become riddles which can more or less be read.
