The church acknowledged it; the state acknowledged it. It was denied by nobody. In all the very extensive sphere of those who knew him, whether in his public or private capacities, there was not an individual--except Hepzibah, and some lawless mystic, like the daguerreotypist, and, possibly, a few political opponents--who would have dreamed of seriously disputing his claim to a high and honorable place in the world's regard. Nor (we must do him the further justice to say) did Judge Pyncheon himself, probably, entertain many or very frequent doubts, that his enviable reputation accorded with his deserts. His conscience, therefore, usually considered the surest witness to a man's integrity,--his conscience, unless it might be for the little space of five minutes in the twenty-four hours, or, now and then, some black day in the whole year's circle,--his conscience bore an accordant testimony with the world's laudatory voice. And yet, strong as this evidence may seem to be, we should hesitate to peril our own conscience on the assertion, that the Judge and the consenting world were right, and that poor Hepzibah with her solitary prejudice was wrong. Hidden from mankind, --forgotten by himself, or buried so deeply under a sculptured and ornamented pile of ostentatious deeds that his daily life could take no note of it,--there may have lurked some evil and unsightly thing. Nay, we could almost venture to say, further, that a daily guilt might have been acted by him, continually renewed, and reddening forth afresh, like the miraculous blood-stain of a murder, without his necessarily and at every moment being aware of it.
Men of strong minds, great force of character, and a hard texture of the sensibilities, are very capable of falling into mistakes of this kind. They are ordinarily men to whom forms are of paramount importance. Their field of action lies among the external phenomena of life. They possess vast ability in grasping, and arranging, and appropriating to themselves, the big, heavy, solid unrealities, such as gold, landed estate, offices of trust and emolument, and public honors. With these materials, and with deeds of goodly aspect, done in the public eye, an individual of this class builds up, as it were, a tall and stately edifice, which, in the view of other people, and ultimately in his own view, is no other than the man's character, or the man himself. Behold, therefore, a palace! Its splendid halls and suites of spacious apartments are floored with a mosaic-work of costly marbles; its windows, the whole height of each room, admit the sunshine through the most transparent of plate-glass; its high cornices are gilded, and its ceilings gorgeously painted; and a lofty dome--through which, from the central pavement, you may gaze up to the sky, as with no obstructing medium between--surmounts the whole. With what fairer and nobler emblem could any man desire to shadow forth his character? Ah! but in some low and obscure nook, --some narrow closet on the ground-floor, shut, locked and bolted, and the key flung away,--or beneath the marble pavement, in a stagnant water-puddle, with the richest pattern of mosaic-work above,--may lie a corpse, half decayed, and still decaying, and diffusing its death-scent all through the palace! The inhabitant will not be conscious of it, for it has long been his daily breath!
Neither will the visitors, for they smell only the rich odors which the master sedulously scatters through the palace, and the incense which they bring, and delight to burn before him! Now and then, perchance, comes in a seer, before whose sadly gifted eye the whole structure melts into thin air, leaving only the hidden nook, the bolted closet, with the cobwebs festooned over its forgotten door, or the deadly hole under the pavement, and the decaying corpse within. Here, then, we are to seek the true emblem of the man's character, and of the deed that gives whatever reality it possesses to his life. And, beneath the show of a marble palace, that pool of stagnant water, foul with many impurities, and, perhaps, tinged with blood,--that secret abomination, above which, possibly, he may say his prayers, without remembering it,--is this man's miserable soul!
