"To console themselves for thy absence, O Virgil, they have three poets, Commodianus, Prudentius, and Fortunatus, who were all three born in those dark plays when neither prosody nor grammar were known. But tell me, O Mantuan, hast thou never received other intelligence of the God whose company thou didst so deliberately refuse?"
"Never that I remember."
"Hast thou not told me that I am not the first who descended alive into these abodes and presented himself before thee?"
"Thou dost remind me of it. A century and a half ago, or so it seems to me (it is difficult to reckon days and years amid the shades), my profound peace was intruded upon by a strange visitor. As I was wandering beneath the gloomy foliage that borders the Styx, I saw rising before me a human form more opaque and darker than that of the inhabitants of these shores. I recognised a living person. He was of high stature, thin, with an aquiline nose, sharp chin, and hollow cheeks. His dark eyes shot forth fire; a red hood girt with a crown of laurels bound his lean brows. His bones pierced through the tight brown cloak that descended to his heels. He saluted me with deference, tempered by a sort of fierce pride, and addressed me in a speech more obscure and incorrect than that of those Gauls with whom the divine Julius filled both his legions and the Curia. At last I understood that he had been born near Fiesole, in an ancient Etruscan colony that Sulla had founded on the banks of the Arno, and which had prospered; that he had obtained municipal honours, but that he had thrown himself vehemently into the sanguinary quarrels which arose between the senate, the knights, and the people, that he had been defeated and banished, and now he wandered in exile throughout the world. He described Italy to me as distracted by more wars and discords than in the time of my youth, and as sighing anew for a second Augustus. I pitied his misfortune, remembering what I myself had formerly endured.
"An audacious spirit unceasingly disquieted him, and his mind harboured great thoughts, but alas! his rudeness and ignorance displayed the triumph of barbarism. He knew neither poetry, nor science, nor even the tongue of the Greeks, and he was ignorant, too, of the ancient traditions concerning the origin of the world and the nature of the gods. He bravely repeated fables which in my time would have brought smiles to the little children who were not yet old enough to pay for admission at the baths. The vulgar easily believe in monsters. The Etruscans especially peopled hell with demons, hideous as a sick man's dreams. That they have not abandoned their childish imaginings after so many centuries is explained by the continuation and progress of ignorance and misery, but that one of their magistrates whose mind is raised above the common level should share these popular illusions and should be frightened by the hideous demons that the inhabitants of that country painted on the walls of their tombs in the time of Porsena--that is something which might sadden even a sage. My Etruscan visitor repeated verses to me which he had composed in a new dialect, called by him the vulgar tongue, the sense of which I could not understand. My ears were more surprised than charmed as I heard him repeat the same sound three or four times at regular intervals in his efforts to mark the rhythm. That artifice did not seem ingenious to me; but it is not for the dead to judge of novelties.
"But I do not reproach this colonist of Sulla, born in an unhappy time, for ****** inharmonious verses or for being, if it be possible, as bad a poet as Bavius or Maevius. I have grievances against him which touch me more closely.
The thing is monstrous and scarcely credible, but when this man returned to earth he disseminated the most odious lies about me. He affirmed in several passages of his barbarous poems that I had served him as a guide in the modern Tartarus, a place I know nothing of. He insolently proclaimed that I had spoken of the gods of Rome as false and lying gods, and that I held as the true God the present successor of Jupiter. Friend, when thou art restored to the kindly light of day and beholdest again thy native land, contradict those abominable falsehoods. Say to thy people that the singer of the pious Aeneas has never worshipped the god of the Jews. I am assured that his power is declining and that his approaching fall is manifested by undoubted indications. This news would give me some pleasure if one could rejoice in these abodes. where we feel neither fears nor desires."
He spoke, and with a gesture of farewell he went away. I beheld his. shade gliding over the asphodels without bending their stalks. I saw that it became fainter and vaguer as it receded farther from me, and it vanished before it reached the wood of evergreen laurels. Then I understood the meaning of the words, "The dead have no life, but that which the living lend them," and I walked slowly through the pale meadow to the gate of horn.
I affirm that all in this writing is true.*
* There is in Marbodius's narrative a passage very worthy of notice, viz., that in which the monk of Corrigan describes Dante Alighieri such as we picture him to ourselves to-day. The miniatures in a very old manuscript of the "Divine Comedy," the "Codex Venetianus," represent the poet as a little fat man clad in a short tunic, the skirts of which fall above his knees. As for Virgil, he still wears the philosophical beard, in the wood-engravings of the sixteenth century.
One would not have thought either that Marbodius, or even Virgil, could have known the Etruscan tombs of Chiusi and Corneto, where, in fact, there are horrible and burlesque devils closely resembling those of Orcagna.
Nevertheless, the authenticity of the "Descent of Marbodius into Hell" is indisputable. M. du Clos des Lunes has firmly established it. To doubt it would be to doubt palaeography itself.
