Cora turned up the lights at the sides of the cheval-glass, looked at herself earnestly, then absently, and began to loosen her hair. Her lifted hands hesitated; she re-arranged the slight displacement of her hair already effected; set two chairs before the mirror, seated herself in one; pulled up her dress, where it was slipping from her shoulder, rested an arm upon the back of the other chair as, earlier in the evening, she had rested it upon the iron railing of the porch, and, leaning forward, assumed as exactly as possible the attitude in which she had sat so long beside Valentine Corliss. She leaned very slowly closer and yet closer to the mirror; a rich colour spread over her; her eyes, gazing into themselves, became dreamy, inexpressibly wistful, cloudily sweet; her breath was tumultuous.
"`Even as you and I'?" she whispered.
Then, in the final moment of this after-the-fact rehearsal, as her face almost touched the glass, she forgot how and what she had looked to Corliss; she forgot him; she forgot him utterly: she leaped to her feet and kissed the mirrored lips with a sort of passion.
"You DARLING!" she cried. Cora's christening had been unimaginative, for the name means only, "maiden." She should have been called Narcissa.
The rhapsody was over instantly, leaving an emotional vacuum like a silence at the dentist's. Cora yawned, and resumed the loosening of her hair.
When she had put on her nightgown, she went from one window to another, closing the shutters against the coming of the morning light to wake her. As she reached the last window, a sudden high wind rushed among the trees outside; a white flare leaped at her face, startling her; there was a boom and rattle as of the brasses, cymbals, and kettle-drums of some fatal orchestra; and almost at once it began to rain.
And with that, from the distance came a voice, singing; and at the first sound of it, though it was far away and almost indistinguishable, Cora started more violently than at the lightning; she sprang to the mirror lights, put them out; threw herself upon the bed, and huddled there in the darkness.
The wind passed; the heart of the storm was miles away; this was only its fringe; but the rain pattered sharply upon the thick foliage outside her windows; and the singing voice came slowly up the street.
It was a strange voice: high-pitched and hoarse--and not quite human, so utter was the animal abandon of it.
"I love a lassie, a bonnie, bonnie lassie," it wailed and piped, coming nearer; and the gay little air--wrought to a grotesque of itself by this wild, high voice in the rain--might have been a banshee's love-song.
"I love a lassie, a bonnie, bonnie lassie.
She's as pure as the lily in the dell----"
The voice grew louder; came in front of the house; came into the yard; came and sang just under Cora's window. There it fell silent a moment; then was lifted in a long peal of imbecile laughter, and sang again:
"Then slowly, slowly rase she up And slowly she came nigh him, And when she drew the curtain by--`Young man I think you're dyin'.'"
Cora's door opened and closed softly, and Laura, barefooted, stole to the bed and put an arm about the shaking form of her sister.
"The drunken beast!" sobbed Cora. "It's to disgrace me!
That's what he wants. He'd like nothing better than headlines in the papers: `Ray Vilas arrested at the Madison residence'!" She choked with anger and mortification. "The neighbours----"
"They're nearly all away," whispered Laura. "You needn't fear----"
"Hark!"
The voice stopped singing, and began to mumble incoherently; then it rose again in a lamentable outcry:
"Oh, God of the fallen, be Thou merciful to me! Be Thou merciful--merciful--MERCIFUL" . . .
"MERCIFUL, MERCIFUL, MERCIFUL!" it shrieked, over and over, with increasing loudness, and to such nerve-racking effect that Cora, gasping, beat the bedclothes frantically with her hands at each iteration.
The transom over the door became luminous; some one had lighted the gas in the upper hall. Both girls jumped from the bed, ran to the door, and opened it. Their mother, wearing a red wrapper, was standing at the head of the stairs, which Mr. Madison, in his night-shirt and slippers, was slowly and heavily descending.
Before he reached the front door, the voice outside ceased its dreadful plaint with the abrupt anti-climax of a phonograph stopped in the middle of a record. There was the sound of a struggle and wrestling, a turmoil in the wet shrubberies, branches cracking.
"Let me go, da----" cried the voice, drowned again at half a word, as by a powerful hand upon a screaming mouth.
The old man opened the front door, stepped out, closing it behind him; and the three women looked at each other wanly during a hushed interval like that in a sleeping-car at night when the train stops. Presently he came in again, and started up the stairs, heavily and slowly, as he had gone down.
"Richard Lindley stopped him," he said, sighing with the ascent, and not looking up. "He heard him as he came along the street, and dressed as quick as he could, and ran up and got him.
Richard's taken him away."
He went to his own room, panting, mopping his damp gray hair with his fat wrist, and looking at no one.
Cora began to cry again. It was an hour before any of this family had recovered sufficient poise to realize, with the shuddering gratitude of adventurers spared from the abyss, that, under Providence, Hedrick had not wakened!
