"It is a pretty tune," he said, "and it always made me sorry for poor Fra Diavolo. Auber himself confessed to me that he had made it sad and put the hermitage bell to go with it, because he too was grieved at having to kill his villain, and wanted him, if possible, to die in a religious frame of mind. And Auber touched glasses with me and said--how well I remember it!--'Is it the good Lord, or is it merely the devil, that makes me always have a weakness for rascals?' I told him it was the devil. I was not a priest then. I could not be so sure with my answer now." And then Padre Ignacio repeated Auber's remark in French: "'Est-ce le bon Dieu, oui est-ce bien le diable, qui veut tonjours que j'aime les coquins?" I don't know! I don't know! I wonder if Auber has composed anything lately? I wonder who is singing 'Zerlina' now?"
He cast a farewell look at the ocean, and took his steps between the monastic herbs, the jasmines and the oleanders to the sacristy. "At least," he said, "if we cannot carry with us into exile the friends and the places we have loved, music will go whither we go, even to an end of the world such as this.--Felipe!" he called to his organist. "Can they sing the music I taught them for the Dixit Dominus to-night?"
"Yes, father, surely."
"Then we will have that. And, Felipe--" The Padre crossed the chancel to the small, shabby organ. "Rise, my child, and listen. Here is something you can learn. Why, see now if you cannot learn it from a single hearing."
The swarthy boy of sixteen stood watching his master's fingers, delicate and white, as they played. Thus, of his own accord, he had begun to watch them when a child of six; and the Padre had taken the wild, half-scared, spellbound creature and made a musician of him.
"There, Felipe!" he said now. "Can you do it? Slower, and more softly, muchacho mio. It is about the death of a man, and it should go with our bell."
The boy listened. "Then the father has played it a tone too low," said he, "for our bell rings the note of sol, or something very near it, as the father must surely know." He placed the melody in the right key--an easy thing for him; and the Padre was delighted.
"Ah, my Felipe," he exclaimed, "what could you and I not do if we had a better organ! Only a little better! See! above this row of keys would be a second row, and many more stops. Then we would make such music as has never yet been heard in California. But my people are so poor and so few!
And some day I shall have passed from them, and it will be too late."
"Perhaps," ventured Felipe, "the Americanos--"
"They care nothing for us, Felipe. They are not of our religion--or of any religion, from what I can hear. Don't forget my Dixit Dominus."
The Padre retired once more to the sacristy, while the horse that brought Temptation came over the hill.
The hour of service drew near; and as the Padre waited he once again stepped out for a look at the ocean; but the blue ******** of water lay like a picture in its frame of land, bare as the sky. "I think, from the color, though," said he, "that a little more wind must have begun out there."
The bell rang a last short summons to prayer. Along the road from the south a young rider, leading a pack-animal, ambled into the mission and dismounted. Church was not so much in his thoughts as food and, after due digestion, a bed; but the doors stood open, and, as everybody was passing within them, more variety was to be gained by joining this company than by waiting outside alone until they should return from their devotions.
So he seated himself in a corner near the entrance, and after a brief, jaunty glance at the sunburned, shaggy congregation, made himself as comfortable as might be. He had not seen a face worth keeping his eyes open for. The ****** choir and ****** fold, gathered for even-song, paid him no attention--a rough American bound for the mines was but an object of aversion to them.
The Padre, of course, had been instantly aware of the stranger's presence. To be aware of unaccustomed presences is the sixth sense with vicars of every creed and heresy; and if the parish is lonely and the worshipers few and seldom varying, a newcomer will gleam out like a new book to be read. And a trained priest learns to read keenly the faces of those who assemble to worship under his guidance. But American vagrants, with no thoughts save of gold-digging, and an overweening illiterate jargon for speech, had long ceased to interest this priest, even in his starvation for company and talk from the outside world; and therefore after the intoning he sat with his homesick thoughts unchanged, to draw both pain and enjoyment from the music that he had set to the Dixit Dominus. He listened to the tender chorus that opens William Tell; and, as the Latin psalm proceeded, pictures of the past rose between him and the altar. One after another came these strains he had taken from operas famous in their day, until at length the Padre was murmuring to some music seldom long out of his heart--not the Latin verse which the choir sang, but the original French words:
"Ah, voile man envie, Voila mon seul desir:
Rendez moi ma patrie, Ou laissez moi mourir."
Which may be rendered:
But one wish I implore, One wish is all my cry:
Give back my native land once more, Give back, or let me die.
Then it happened that his eye fell again upon the stranger near the door, and he skaightway forgot his Dixit Dominus. The face of the young man was no longer hidden by the slouching position he had at first taken. "I only noticed his clothes at first," thought the Padre. Restlessness was plain upon the handsome brow, and violence was in the mouth; but Padre Ignacio liked the eyes. "He is not saying any prayers," he surmised, presently. "I doubt if he has said any for a long while. And he knows my music. He is of educated people. He cannot be American. And now--yes, he has taken--I think it must be a flower, from his pocket. I shall have him to dine with me." And vespers ended with rosy clouds of eagerness drifting across the Padre's brain.
