The story of that ruin--for such it is--is always to me singularly affecting. It is that of the decay of an ancient and distinguished family, gradually reduced from the highest wealth and station to actual poverty. The house and park, and a small estate around it, were entailed on a distant cousin, and could not be alienated; and the late owner, the last of his name and lineage, after long struggling with debt and difficulty, farming his own lands, and clinging to his magnificent home with a love of place almost as tenacious as that of the younger Foscari, was at last forced to abandon it, retired to a paltry lodging in a paltry town, and died there about twenty years ago, broken-hearted. His successor, bound by no ties of association to the spot, and rightly judging the residence to be much too large for the diminished estate, immediately sold the superb fixtures, and would have entirely taken down the house, if, on ****** the attempt, the masonry had not been found so solid that the materials were not worth the labour. A great part, however, of one side is laid open, and the splendid chambers, with their carving and gilding, are exposed to the wind and rain--sad memorials of past grandeur! The grounds have been left in a merciful neglect; the park, indeed, is broken up, the lawn mown twice a year like a common hayfield, the grotto mouldering into ruin, and the fishponds choked with rushes and aquatic plants; but the shrubs and flowering trees are undestroyed, and have grown into a magnificence of size and wildness of beauty, such as we may imagine them to attain in their native forests. Nothing can exceed their luxuriance, especially in the spring, when the lilac, and laburnum, and double-cherry put forth their gorgeous blossoms.
There is a sweet sadness in the sight of such floweriness amidst such desolation; it seems the triumph of nature over the destructive power of man. The whole place, in that season more particularly, is full of a soft and soothing melancholy, reminding me, I scarcely know why, of some of the descriptions of natural scenery in the novels of Charlotte Smith, which I read when a girl, and which, perhaps, for that reason hang on my memory.
But here we are, in the smooth grassy ride, on the top of a steep turfy slope descending to the river, crowned with enormous firs and limes of equal growth, looking across the winding waters into a sweet peaceful landscape of quiet meadows, shut in by distant woods.
What a fragrance is in the air from the balmy fir trees and the blossomed limes! What an intensity of odour! And what a murmur of bees in the lime trees! What a coil those little winged people make over our heads! And what a pleasant sound it is! the pleasantest of busy sounds, that which comes associated with all that is good and beautiful--industry and forecast, and sunshine and flowers. Surely these lime trees might store a hundred hives; the very odour is of a honeyed richness, cloying, satiating.
Emily exclaimed in admiration as we stood under the deep, strong, leafy shadow, and still more when honeysuckles trailed their untrimmed profusion in our path, and roses, really trees, almost intercepted our passage.
'On, Emily! farther yet! Force your way by that jessamine--it will yield; I will take care of this stubborn white rose bough.'--'Take care of yourself! Pray take care,' said my fairest friend; 'let me hold back the branches.'-- After we had won our way through the strait, at some expense of veils and flounces, she stopped to contemplate and admire the tall, graceful shrub, whose long thorny stems, spreading in every direction, had opposed our progress, and now waved their delicate clusters over our heads. 'Did I ever think,' exclaimed she, 'of standing under the shadow of a white rose tree! What an exquisite fragrance! And what a beautiful flower! so pale, and white, and tender, and the petals thin and smooth as silk!
