THE SHIPWRECK ON THE TIN ISLANDS
'Blue and red,' said Jane softly, 'make purple.'
'Not always they don't,' said Cyril, 'it has to be crimson lake and Prussian blue. If you mix Vermilion and Indigo you get the most loathsome slate colour.'
'Sepia's the nastiest colour in the box, I think,' said Jane, sucking her brush.
They were all painting. Nurse in the flush of grateful emotion, excited by Robert's border of poppies, had presented each of the four with a shilling paint-box, and had supplemented the gift with a pile of old copies of the Illustrated London News.
'Sepia,' said Cyril instructively, 'is made out of beastly cuttlefish.'
'Purple's made out of a fish, as well as out of red and blue,' said Robert. 'Tyrian purple was, I know.'
'Out of lobsters?' said Jane dreamily. 'They're red when they're boiled, and blue when they aren't. If you mixed live and dead lobsters you'd get Tyrian purple.'
'_I_ shouldn't like to mix anything with a live lobster,' said Anthea, shuddering.
'Well, there aren't any other red and blue fish,' said Jane;
'you'd have to.'
'I'd rather not have the purple,' said Anthea.
'The Tyrian purple wasn't that colour when it came out of the fish, nor yet afterwards, it wasn't,' said Robert; 'it was scarlet really, and Roman Emperors wore it. And it wasn't any nice colour while the fish had it. It was a yellowish-white liquid of a creamy consistency.'
'How do you know?' asked Cyril.
'I read it,' said Robert, with the meek pride of superior knowledge.
'Where?' asked Cyril.
'In print,' said Robert, still more proudly meek.
'You think everything's true if it's printed,' said Cyril, naturally annoyed, 'but it isn't. Father said so. Quite a lot of lies get printed, especially in newspapers.'
'You see, as it happens,' said Robert, in what was really a rather annoying tone, 'it wasn't a newspaper, it was in a book.'
'How sweet Chinese white is!' said Jane, dreamily sucking her brush again.
'I don't believe it,' said Cyril to Robert.
'Have a suck yourself,' suggested Robert.
'I don't mean about the Chinese white. I mean about the cream fish turning purple and--"
'Oh!' cried Anthea, jumping up very quickly, 'I'm tired of painting. Let's go somewhere by Amulet. I say let's let IT choose.'
Cyril and Robert agreed that this was an idea. Jane consented to stop painting because, as she said, Chinese white, though certainly sweet, gives you a queer feeling in the back of the throat if you paint with it too long.
The Amulet was held up. 'Take us somewhere,' said Jane, 'anywhere you like in the Past--but somewhere where you are.'
Then she said the word.
Next moment everyone felt a queer rocking and swaying--something like what you feel when you go out in a fishing boat. And that was not wonderful, when you come to think of it, for it was in a boat that they found themselves. A queer boat, with high bulwarks pierced with holes for oars to go through. There was a high seat for the steersman, and the prow was shaped like the head of some great animal with big, staring eyes. The boat rode at anchor in a bay, and the bay was very smooth. The crew were dark, wiry fellows with black beards and hair. They had no clothes except a tunic from waist to knee, and round caps with knobs on the top. They were very busy, and what they were doing was so interesting to the children that at first they did not even wonder where the Amulet had brought them. And the crew seemed too busy to notice the children. They were fastening rush baskets to a long rope with a great piece of cork at the end, and in each basket they put mussels or little frogs. Then they cast out the rope, the baskets sank, but the cork floated. And all about on the blue water were other boats and all the crews of all the boats were busy with ropes and baskets and frogs and mussels.
'Whatever are you doing?' Jane suddenly asked a man who had rather more clothes than the others, and seemed to be a sort of captain or overseer. He started and stared at her, but he had seen too many strange lands to be very much surprised at these queerly-dressed stowaways.
'Setting lines for the dye shell-fish,' he said shortly. 'How did you get here?'
'A sort of magic,' said Robert carelessly. The Captain fingered an Amulet that hung round his neck.
'What is this place?' asked Cyril.
'Tyre, of course,' said the man. Then he drew back and spoke in a low voice to one of the sailors.
'Now we shall know about your precious cream-jug fish,' said Cyril.
'But we never SAID come to Tyre,' said Jane.
'The Amulet heard us talking, I expect. I think it's MOST obliging of it,' said Anthea.
'And the Amulet's here too,' said Robert. 'We ought to be able to find it in a little ship like this. I wonder which of them's got it.'
'Oh--look, look!' cried Anthea suddenly. On the bare breast of one of the sailors gleamed something red. It was the exact counterpart of their precious half-Amulet.
A silence, full of emotion, was broken by Jane.
'Then we've found it!' she said. 'Oh do let's take it and go home!'
'Easy to say "take it",' said Cyril; 'he looks very strong.'
He did--yet not so strong as the other sailors.
'It's odd,' said Anthea musingly, 'I do believe I've seen that man somewhere before.'
'He's rather like our learned gentleman,' said Robert, 'but I'll tell you who he's much more like--' At that moment that sailor looked up. His eyes met Robert's--and Robert and the others had no longer any doubt as to where they had seen him before. It was Rekh-mara, the priest who had led them to the palace of Pharaoh--and whom Jane had looked back at through the arch, when he was counselling Pharaoh's guard to take the jewels and fly for his life.
Nobody was quite pleased, and nobody quite knew why.
Jane voiced the feelings of all when she said, fingering THEIR Amulet through the folds of her frock, 'We can go back in a minute if anything nasty happens.'
For the moment nothing worse happened than an offer of food--figs and cucumbers it was, and very pleasant.
'I see,' said the Captain, 'that you are from a far country.
