"For _me?_ Did you hear what the landlady said?"
Mr. Bishopriggs advanced confidentially, and pointed with a very unsteady forefinger to the purse which Anne still held in her hand.
"Never fash yoursel' aboot the landleddy!" said the sage chief of the Craig Fernie waiters. "Your purse speaks for you, my lassie.
Pet it up!" cried Mr. Bishopriggs, waving temptation away from him with the duster. "In wi' it into yer pocket! Sae long as the warld's the warld, I'll uphaud it any where--while there's siller in the purse, there's gude in the woman!"
Anne's patience, which had resisted harder trials, gave way at this.
"What do you mean by speaking to me in that familiar manner?" she asked, rising angrily to her feet again.
Mr. Bishopriggs tucked his duster under his arm, and proceeded to satisfy Anne that he shared the landlady's view of her position, without sharing the severity of the landlady's principles.
"There's nae man livin'," said Mr. Bishopriggs, "looks with mair indulgence at human frailty than my ain sel'. Am I no' to be familiar wi' ye--when I'm auld eneugh to be a fether to ye, and ready to be a fether to ye till further notice? Hech! hech! Order your bit dinner lassie. Husband or no husband, ye've got a stomach, and ye must een eat. There's fesh and there's fowl--or, maybe, ye'll be for the sheep's head singit, when they've done with it at the tabble dot?"
There was but one way of getting rid of him: "Order what you like," Anne said, "and leave the room." Mr. Bishopriggs highly approved of the first half of the sentence, and totally overlooked the second.
"Ay, ay--just pet a' yer little interests in my hands; it's the wisest thing ye can do. Ask for Maister Bishopriggs (that's me) when ye want a decent 'sponsible man to gi' ye a word of advice.
Set ye doon again--set ye doon. And don't tak' the arm-chair.
Hech! hech! yer husband will be coming, ye know, and he's sure to want it!" With that seasonable pleasantry the venerable Bishopriggs winked, and went out.
Anne looked at her watch. By her calculation it was not far from the hour when Geoffrey might be expected to arrive at the inn, assuming Geoffrey to have left Windygates at the time agreed on.
A little more patience, and the landlady's scruples would be satisfied, and the ordeal would be at an end.
Could she have met him nowhere else than at this barbarous house, and among these barbarous people?
No. Outside the doors of Windygates she had not a friend to help her in all Scotland. There was no place at her disposal but the inn; and she had only to be thankful that it occupied a sequestered situation, and was not likely to be visited by any of Lady Lundie's friends. Whatever the risk might be, the end in view justified her in confronting it. Her whole future depended on Geoffrey's ****** an honest woman of her. Not her future with _him_--that way there was no hope; that way her life was wasted.
Her future with Blanche--she looked forward to nothing now but her future with Blanche.
Her spirits sank lower and lower. The tears rose again. It would only irritate him if he came and found her crying. She tried to divert her mind by looking about the room.
There was very little to see. Except that it was solidly built of good sound stone, the Craig Fernie hotel differed in no other important respect from the average of second-rate English inns.
There was the usual slippery black sofa--constructed to let you slide when you wanted to rest. There was the usual highly-varnished arm-chair, expressly manufactured to test the endurance of the human spine. There was the usual paper on the walls, of the pattern designed to make your eyes ache and your head giddy. There were the usual engravings, which humanity never tires of contemplating. The Royal Portrait, in the first place of honor. The next greatest of all human beings--the Duke of Wellington--in the second place of honor. The third greatest of all human beings--the local member of parliament--in the third place of honor; and a hunting scene, in the dark. A door opposite the door of admission from the passage opened into the bedroom; and a window at the side looked out on the open space in front of the hotel, and commanded a view of the vast expanse of the Craig Fernie moor, stretching away below the rising ground on which the house was built.
Anne turned in despair from the view in the room to the view from the window. Within the last half hour it had changed for the worse. The clouds had gathered; the sun was hidden; the light on the landscape was gray and dull. Anne turned from the window, as she had turned from the room. She was just ****** the hopeless attempt to rest her weary limbs on the sofa, when the sound of voices and footsteps in the passage caught her ear.
Was Geoffrey's voice among them? No.
Were the strangers coming in?
The landlady had declined to let her have the rooms: it was quite possible that the strangers might be coming to look at them.
There was no knowing who they might be. In the impulse of the moment she flew to the bedchamber and locked herself in.
The door from the passage opened, and Arnold Brinkworth--shown in by Mr. Bishopriggs--entered the sitting-room.
"Nobody here!" exclaimed Arnold, looking round. "Where is she?"
Mr. Bishopriggs pointed to the bedroom door. "Eh! yer good leddy's joost in the bedchamber, nae doot!"
Arnold started. He had felt no difficulty (when he and Geoffrey had discussed the question at Windygates) about presenting himself at the inn in the assumed character of Anne's husband.
But the result of putting the deception in practice was, to say the least of it, a little embarrassing at first. Here was the waiter describing Miss Silvester as his "good lady;" and leaving it (most naturally and properly) to the "good lady's" husband to knock at her bedroom door, and tell her that he was there. In despair of knowing what else to do at the moment, Arnold asked for the landlady, whom he had not seen on arriving at the inn.
