He was more surprised even than at the revelation of the scale on which Mr. Loder was ready to proceed by the discovery that some of the actors didn't like their parts, and his heart sank as he asked himself what he could possibly do with them if they were going to be so stupid. This was the first of his disappointments; somehow he had expected every individual to become instantly and gratefully conscious of a rare opportunity, and from the moment such a calculation failed he was at sea, or mindful at any rate that more disappointments would come. It was impossible to make out what the manager liked or disliked; no judgment, no comment escaped him; his acceptance of the play and his views about the way it should be mounted had apparently converted him into a veiled and shrouded figure. Wayworth was able to grasp the idea that they would all move now in a higher and sharper air than that of compliment and confidence. When he talked with Violet Grey after the reading he gathered that she was really rather crude: what better proof of it could there be than her failure to break out instantly with an expression of delight about her great chance? This reserve, however, had evidently nothing to do with high pretensions; she had no wish to make him feel that a person of her eminence was superior to easy raptures. He guessed, after a little, that she was puzzled and even somewhat frightened--to a certain extent she had not understood.
Nothing could appeal to him more than the opportunity to clear up her difficulties, in the course of the examination of which he quickly discovered that, so far as she HAD understood, she had understood wrong. If she was crude it was only a reason the more for talking to her; he kept saying to her "Ask me--ask me: ask me everything you can think of."She asked him, she was perpetually asking him, and at the first rehearsals, which were without form and void to a degree that made them strike him much more as the death of an experiment than as the dawn of a success, they threshed things out immensely in a corner of the stage, with the effect of his coming to feel that at any rate she was in earnest. He felt more and more that his heroine was the keystone of his arch, for which indeed the actress was very ready to take her. But when he reminded this young lady of the way the whole thing practically depended on her she was alarmed and even slightly scandalised: she spoke more than once as if that could scarcely be the right way to construct a play--make it stand or fall by one poor nervous girl. She was almost morbidly conscientious, and in theory he liked her for this, though he lost patience three or four times with the things she couldn't do and the things she could. At such times the tears came to her eyes; but they were produced by her own stupidity, she hastened to assure him, not by the way he spoke, which was awfully kind under the circumstances. Her sincerity made her beautiful, and he wished to heaven (and made a point of telling her so) that she could sprinkle a little of it over Nona. Once, however, she was so touched and troubled that the sight of it brought the tears for an instant to his own eyes; and it so happened that, turning at this moment, he found himself face to face with Mr. Loder.
The manager stared, glanced at the actress, who turned in the other direction, and then smiling at Wayworth, exclaimed, with the humour of a man who heard the gallery laugh every night:
"I say--I say!"
"What's the matter?" Wayworth asked.
"I'm glad to see Miss Grey is taking such pains with you.""Oh, yes--she'll turn me out!" said the young man, gaily. He was quite aware that it was apparent he was not superficial about Nona, and abundantly determined, into the bargain, that the rehearsal of the piece should not sacrifice a shade of thoroughness to any extrinsic consideration.
Mrs. Alsager, whom, late in the afternoon, he used often to go and ask for a cup of tea, thanking her in advance for the rest she gave him and telling her how he found that rehearsal (as THEY were doing it--it was a caution!) took it out of one--Mrs. Alsager, more and more his good genius and, as he repeatedly assured her, his ministering angel, confirmed him in this superior policy and urged him on to every form of artistic devotion. She had, naturally, never been more interested than now in his work; she wanted to hear everything about everything. She treated him as heroically fatigued, plied him with luxurious restoratives, made him stretch himself on cushions and rose-leaves. They gossipped more than ever, by her fire, about the artistic life; he confided to her, for instance, all his hopes and fears, all his experiments and anxieties, on the subject of the representative of Nona. She was immensely interested in this young lady and showed it by taking a box again and again (she had seen her half-a-dozen times already), to study her capacity through the veil of her present part. Like Allan Wayworth she found her encouraging only by fits, for she had fine flashes of badness.
She was intelligent, but she cried aloud for training, and the training was so absent that the intelligence had only a fraction of its effect. She was like a knife without an edge--good steel that had never been sharpened; she hacked away at her hard dramatic loaf, she couldn't cut it smooth.
