登陆注册
37259500000157

第157章 THE FOURTH ENNEAD(43)

Memory is not to be explained as the retaining of information in virtue of the lingering of an impression which in fact was never made;the two things stand or fall together; either an impression is made upon the mind and lingers when there is remembrance, or, denying the impression, we cannot hold that memory is its lingering.Since we reject equally the impression and the retention we are obliged to seek for another explanation of perception and memory, one excluding the notions that the sensible object striking upon soul or mind makes a mark upon it, and that the retention of this mark is memory.

If we study what occurs in the case of the most vivid form of perception, we can transfer our results to the other cases, and so solve our problem.

In any perception we attain by sight, the object is grasped there where it lies in the direct line of vision; it is there that we attack it; there, then, the perception is formed; the mind looks outward; this is ample proof that it has taken and takes no inner imprint, and does not see in virtue of some mark made upon it like that of the ring on the wax; it need not look outward at all if, even as it looked, it already held the image of the object, seeing by virtue of an impression made upon itself.It includes with the object the interval, for it tells at what distance the vision takes place: how could it see as outlying an impression within itself, separated by no interval from itself? Then, the point of magnitude:

how could the mind, on this hypothesis, define the external size of the object or perceive that it has any- the magnitude of the sky, for instance, whose stamped imprint would be too vast for it to contain? And, most convincing of all, if to see is to accept imprints of the objects of our vision, we can never see these objects themselves; we see only vestiges they leave within us, shadows: the things themselves would be very different from our vision of them.And, for a conclusive consideration, we cannot see if the living object is in contact with the eye, we must look from a certain distance; this must be more applicable to the mind;supposing the mind to be stamped with an imprint of the object, it could not grasp as an object of vision what is stamped upon itself.

For vision demands a duality, of seen and seeing: the seeing agent must be distinct and act upon an impression outside it, not upon one occupying the same point with it: sight can deal only with an object not inset but outlying.

2.But if perception does not go by impression, what is the process?

The mind affirms something not contained within it: this is precisely the characteristic of a power- not to accept impression but, within its allotted sphere, to act.

Besides, the very condition of the mind being able to exercise discrimination upon what it is to see and hear is not, of course, that these objects be equally impressions made upon it; on the contrary, there must be no impressions, nothing to which the mind is passive;there can be only acts of that in which the objects become known.

Our tendency is to think of any of the faculties as unable to know its appropriate object by its own uncompelled act; to us it seems to submit to its environment rather than simply to perceive it, though in reality it is the master, not the victim.

As with sight, so with hearing.It is the air which takes the impression, a kind of articulated stroke which may be compared to letters traced upon it by the object causing the sound; but it belongs to the faculty, and the soul-essence, to read the imprints thus appearing before it, as they reach the point at which they become matter of its knowledge.

In taste and smell also we distinguish between the impressions received and the sensations and judgements; these last are mental acts, and belong to an order apart from the experiences upon which they are exercised.

The knowing of the things belonging to the Intellectual is not in any such degree attended by impact or impression: they come forward, on the contrary, as from within, unlike the sense-objects known as from without: they have more emphatically the character of acts; they are acts in the stricter sense, for their origin is in the soul, and every concept of this Intellectual order is the soul about its Act.

Whether, in this self-vision, the soul is a duality and views itself as from the outside- while seeing the Intellectual-Principal as a unity, and itself with the Intellectual-Principle as a unity- this question is investigated elsewhere.

3.With this prologue we come to our discussion of Memory.

That the soul, or mind, having taken no imprint, yet achieves perception of what it in no way contains need not surprise us; or rather, surprising though it is, we cannot refuse to believe in this remarkable power.

The Soul is the Reason-Principle of the universe, ultimate among the Intellectual Beings- its own essential Nature is one of the Beings of the Intellectual Realm- but it is the primal Reason-Principle of the entire realm of sense.

Thus it has dealings with both orders- benefited and quickened by the one, but by the other beguiled, falling before resemblances, and so led downwards as under spell.Poised midway, it is aware of both spheres.

Of the Intellectual it is said to have intuition by memory upon approach, for it knows them by a certain natural identity with them;its knowledge is not attained by besetting them, so to speak, but by in a definite degree possessing them; they are its natural vision;they are itself in a more radiant mode, and it rises from its duller pitch to that greater brilliance in a sort of awakening, a progress from its latency to its act.

同类推荐
  • Book of Pirates

    Book of Pirates

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 佛说頞多和多耆经

    佛说頞多和多耆经

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 大乘阿毗达磨集论

    大乘阿毗达磨集论

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 寺塔记

    寺塔记

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 思益梵天所问经

    思益梵天所问经

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
热门推荐
  • 天行

    天行

    号称“北辰骑神”的天才玩家以自创的“牧马冲锋流”战术击败了国服第一弓手北冥雪,被誉为天纵战榜第一骑士的他,却受到小人排挤,最终离开了效力已久的银狐俱乐部。是沉沦,还是再次崛起?恰逢其时,月恒集团第四款游戏“天行”正式上线,虚拟世界再起风云!
  • 超神学院之万界第一剑仙

    超神学院之万界第一剑仙

    曾经神界第一剑,曾经神界最强天门守护者,曾经神界的第一个毫不在意帝皇身份去镇守天门的神帝。如今功成身退用随机空间天门游历万千宇宙,来到了超神宇宙,展开了第一次旅途征程。随时旅游,这是个性!一个主世界太单调了。。。。还有啊,只要你们敢说去那个世界,作者就敢去写。Q群号:254657650
  • 昆曲

    昆曲

    昆曲(KunOpera),又称昆剧、昆腔、昆山腔,是中国最古老的剧种,也是中国传统文化艺术中的珍品。昆曲发源于14世纪中国的苏州太仓南码头,后经魏良辅等人的改良而走向全国,自明代中叶独领中国剧坛近300年。昆曲糅合了唱念做打、舞蹈及武术等,以曲词典雅、行腔婉转、表演细腻著称,被誉为“百戏之祖”。昆曲以鼓、板控制演唱节奏,以曲笛、三弦等为主要伴奏乐器,其唱念语音为“中州韵”。昆曲在2001年被联合国教科文组织列为“人类口述和非物质遗产代表作”
  • 重生之万古神玄

    重生之万古神玄

    QQ交流群【829049179】仙侠二期征文比赛参赛作品,也是属于自创类型。曾经的至强帝君,却被自己的红颜知己暗害陨落,重生归来掀起曾经纪元无法得到的答案,是命运的安排、还是宿命的对决。寻找万年的爱人—却被囚禁。同一纪元的存活下来的魔族至强宇主。曾经救过的黑龙夫妻,双双登临巅峰踏入世界只为报一恩。曾经教导的弟子从苍茫之上归来,成就无上大能。已经消失的李家族人,却是天罪之人
  • 天行

    天行

    号称“北辰骑神”的天才玩家以自创的“牧马冲锋流”战术击败了国服第一弓手北冥雪,被誉为天纵战榜第一骑士的他,却受到小人排挤,最终离开了效力已久的银狐俱乐部。是沉沦,还是再次崛起?恰逢其时,月恒集团第四款游戏“天行”正式上线,虚拟世界再起风云!
  • 人间,是温暖的驿站:费孝通人物随笔

    人间,是温暖的驿站:费孝通人物随笔

    《人间,是温暖的驿站:费孝通人物随笔》是费孝通先生的一本人物散文随笔集结,记录了费孝通先生身边众多的人物和国外历史名人,展现了一代人的风采、信仰和精神,而他们身上的那种精神弥足珍贵,正是当今社会逐渐缺失的,应该引起我们的警惕和思索。
  • 彼岸花开:帝少,请绕路

    彼岸花开:帝少,请绕路

    她——是一位有权有势的陈大小姐。天下除了他,什么样的男人都入不了她的眼。他——帝都大少。一手握权一手握势。一根手指便可遮天盖地。在他眼里,除了那个小女孩,其他神马都是浮云。可他却偏偏认错了了她,使他的女孩一度对他失望,甚至绝望自杀!可她却仍然爱着他。镜头1:陈暖心被锁禁锢在病床。“帝逸宸,你真的就这么狠心吗?为什么……”他冷冷一笑“呵,就凭妍儿是我爱的人!就凭妍儿她什么都比你强!”陈暖心低头,呵,好一个爱,好一个什么都比自己强……镜头2:陈暖心怒哄“帝逸宸!你给我滚!”某男不要脸的凑过来“老婆,我们一起滚吧!”(男女主身心健康,先虐后甜,1v1宠文。爱的快来!)
  • 慕世梓恋

    慕世梓恋

    只有半颗心的人,如何去体谅他为这个世界所做的一切?她是他的徒,却不想和他一样去拿她自己心来宽容这个世界。他所做的,她不懂。她想要的,他不知。她只想在他身边看着他,他却把她逼入绝境。他只想让她待在自己身边,她却次次说想要离开。
  • 末日之使徒

    末日之使徒

    艾琳娜下了床,活动了一下手脚,似乎想到了什么,把手伸向上衣口袋,果然摸出一张纸条。上写:“你将是我最特别的一件收藏品,重生愉快!——丹尼斯”
  • 荼蘼转流年

    荼蘼转流年

    相传,大荒中心有一座仙岛,名为天葵,岛中有仙人,不老不死她,天生资质平庸却聪慧刻苦,年纪轻轻便考入天葵内岛,成为最年轻的导师。他,文质彬彬,虽非她的老师,却甚似老师夏璇,自幼便成为孤女,被破例带入天葵门。然,自她身上,却带着迷一般的身世,隐藏着那最阴邪门派的秘密一朝离开,原本是做历练,可当她再度回来之时,弥漫开来的却是那腥红色的血液,和无数同门的尸体究竟是谁背叛,又是谁被欺骗了?