At last and by slow degrees he began to speak of her and himself, slowly and carefully, his keen eyes noting every change upon her face; he began to offer her delicate compliments and flattery so well disguised that it did not seem to her flattery at all. He made her understand that he believed her to be the most beautiful girl he had ever beheld. He treated her always as though she were a queen, and he her humblest slave.
Slowly but surely the sweet poison worked its way; the day came when that graceful, subtle flattery was necessary to the very existence of Beatrice Earle. There was much to excuse her; the clever, artful man into whose hands she had fallen was her first admirer--the first who seemed to remember she was no longer a child, and to treat her with deferential attention. Had she been, as other girls are, surrounded by friends, accustomed to society, properly trained, prepared by the tender wisdom of a loving mother, she would never have cast her proud eyes upon Hugh Fernely; she would never have courted the danger or run the risk.
As it was, while Dora preferred solitude, and nourished a keen dislike to her husband in her heart--while Ronald yielded to obstinate pride, and neglected every duty--while both preferred the indulgence of their own tempers, and neglected the children the Almighty intrusted to them, Beatrice went on to her fate.
It was so sad a story, the details so ****** yet so pitiful.
Every element of that impulsive, idealistic nature helped on the tragedy. Hugh Fernely understood Beatrice as perhaps no one else ever did. He idealized himself. To her at length he became a hero who had met with numberless adventures--a hero who had traveled and fought, brave and generous. After a time he spoke to her of love, at first never appearing to suppose that she could care for him, but telling her of his own passionate worship how her face haunted him, filled his dreams at night, and shone before him all day--how the very ground she stood upon was sacred to him--how he envied the flowers she touched--how he would give up everything to be the rose that died in her hands.
It was all very pretty and poetical, and he knew how to find pretty, picturesque spots in the woods where the birds and the flowers helped him to tell his story.
Beatrice found it very pleasant to be worshiped like a queen; there was no more monotony for her. Every morning she looked forward to seeing Hugh--to learning more of those words that seemed to her like sweetest music. She knew that at some time or other during the day she would see him; he never tired of admiring her beauty. Blameworthy was the sad mother with her stern doctrines, blameworthy the proud, neglectful father, that she knew not how wrong all this was. He loved her; in a thousand eloquent ways he told her so. She was his loadstar, beautiful and peerless. It was far more pleasant to sit on the sea shore, or under the greenwood trees, listening to such words than to pass long, dreary hours indoors. And none of those intrusted with the care of the young girl ever dreamed of her danger.
So this was the love her mother dreaded so much. This was the love poets sung of and novelists wrote about. It was pleasant; but in after days, when Beatrice herself came to love, she knew that this had been but child's play.
It was the romance of the stolen meeting that charmed Beatrice.
If Hugh had been admitted to the Elms she would have wearied of him in a week; but the concealment gave her something to think of. There was something to occupy her mind; every day she must arrange for a long ramble, so that she might meet Hugh. So, while the corn grew ripe in the fields, and the blossoms died away--while warm, luxurious summer ruled with his golden wand Ronald Earle's daughter went on to her fate.
