Our fancy may readily picture to itself the last days of Geoffrey Chaucer, and the ray of autumn sunshine which gilded his reverend head before it was bowed in death. His old patron's more fortunate son, whose earlier chivalrous days we are apt to overlook in thinking of him as a politic king and the sagacious founder of a dynasty, cannot have been indifferent to the welfare of a subject for whose needs he had provided with so prompt a liberality. In the vicinity of a throne the smiles of royalty are wont to be contagious--and probably many a courtier thought well to seek the company of one who, so far as we know, had never forfeited the goodwill of any patron or the attachment of any friend. We may, too, imagine him visited by associates who loved and honoured the poet as well as the man--by Gower, blind or nearly so, if tradition speak the truth, and who, having "long had sickness upon hand," seems unlike Chaucer to have been ministered to in his old age by a housewife whom he had taken to himself in contradiction of principles preached by both the poets; and by "Bukton," converted, perchance, by means of Chaucer's gift to him of the "Wife of Bath's Tale," to a resolution of perpetual bachelorhood, but otherwise, as Mr. Carlyle would say, "dim to us." Besides these, if he was still among the living, the philosophical Strode in his Dominican habit, on a visit to London from one of his monasteries; or--more probably--the youthful Lydgate, not yet a Benedictine monk, but pausing, on his return from his travels in divers lands, to sit awhile, as it were, at the feet of the master in whose poetic example he took pride; the courtly Scogan; and Occleve, already learned, who was to cherish the memory of Chaucer's outward features as well as of his fruitful intellect:--all these may in his closing days have gathered around their friend; and perhaps one or the other may have been present to close the watchful eyes for ever.
But there was yet another company with which, in these last years, and perhaps in these last days of his life, Chaucer had intercourse, of which he can rarely have lost sight, and which even in solitude he must have had constantly with him. This company has since been well known to generations and centuries of Englishmen. Its members head that goodly procession of figures which have been familiar to our fathers as livelong friends, which are the same to us, and will be to our children after us --the procession of the nation's favourites among the characters created by our great dramatists and novelists, the eternal types of human nature which nothing can efface from our imagination. Or is there less reality about the "Knight" in his short cassock and old-fashioned armour and the "Wife of Bath" in hat and wimple, than--for instance--about Uncle Toby and the Widow Wadman? Can we not hear "Madame Eglantine" lisping her "Stratford-atte-Bowe" French as if she were a personage in a comedy by Congreve or Sheridan? Is not the "Summoner" with his "fire-red cherubim's face" a worthy companion for Lieutenant Bardolph himself? And have not the humble "Parson" and his Brother the "Ploughman" that irresistible pathos which Dickens could find in the ****** and the poor? All these figures, with those of their fellow-pilgrims, are to us living men and women; and in their midst the poet who created them lives, as he has painted himself among the company, not less faithfully than Occleve depicted him from memory after death.
How long Chaucer had been engaged upon the "Canterbury Tales" it is impossible to decide. No process is more hazardous than that of distributing a poet's works among the several periods of his life according to divisions of species--placing his tragedies or serious stories in one season, his comedies or lighter tales in another, and so forth. Chaucer no more admits of such treatment than Shakspere, nor because there happens to be in his case little actual evidence by which to control or contradict it, are we justified in subjecting him to it. All we know is that he left his great work a fragment, and that we have no mention in any of his other poems of more than three of the "Tales"--two, as already noticed, being mentioned in the Prologue to the Legend of Good Women, written at a time when they had perhaps not yet assumed the form in which they are preserved, while to the third (the "Wife of Bath")reference is made in the "Envoi to Bukton," the date of which is quite uncertain. At the same time, the labour which was expended upon the "Canterbury Tales" by their author manifestly obliges us to conclude that their composition occupied several years, with inevitable interruptions;while the gaiety and brightness of many of the stories, and the exuberant humour and exquisite pathos of others, as well as the masterly effectiveness of the "Prologue," make it almost certain that these parts of the work were written when Chaucer was not only capable of doing his best, but also in a situation which admitted of his doing it. The supposition is therefore a very probable one, that the main period of their composition may have extended over the last eleven or twelve years of his life, and have begun about the time when he was again placed above want by his appointment to the Clerkship of the Royal Works.
