The evidence of the Leaf-cutters proves that a certain latitude is left to the insect in its choice of materials for the nest; and this is confirmed by the testimony of the Anthidia, the cotton-manufacturers. My district possesses five: A. Florentinum, LATR., A.
diadema, LATR., A. manicatum, LATR., A. cingulatum, LATR., A.
scapulare, LATR. None of them creates the refuge in which the cotton goods are manufactured. Like the Osmiae and the Leaf-cutters, they are homeless vagrants, adopting, each to her own taste, such shelter as the work of others affords. The Scapular Anthidium is loyal to the dry bramble, deprived of its pith and turned into a hollow tube by the industry of various mining Bees, among which figure, in the front rank, the Ceratinae, dwarf rivals of the Xylocopa, or Carpenter-bee, that mighty driller of rotten wood. The spacious galleries of the Masked Anthophora suit the Florentine Anthidium, the foremost member of the genus so far as size is concerned. The Diadem Anthidium considers that she has done very well if she inherits the vestibule of the Hairy-footed Anthophora, or even the ordinary burrow of the Earth-worm. Failing anything better, she may establish herself in the dilapidated dome of the Mason-bee of the Pebbles. The Manicate Anthidium shares her tastes. I have surprised the Girdled Anthidium cohabiting with a Bembex-wasp. The two occupants of the cave dug in the sand, the owner and the stranger, were living in peace, both intent upon their business. Her usual habitation is some hole or other in the crevices of a ruined wall. To these refuges, the work of others, we can add the stumps of reeds, which are as popular with the various cotton-gatherers as with the Osmiae; and, after we have mentioned a few most unexpected retreats, such as the sheath provided by a hollow brick or the labyrinth furnished by the lock of a gate, we shall have almost exhausted the list of domiciles.
Like the Osmiae and the Leaf-cutters, the Anthidium shows an urgent need of a ready-made home. She never houses herself at her own expense. Can we discover the reason? Let us first consult a few hard workers who are artificers of their own dwellings. The Anthophora digs corridors and cells in the road-side banks hardened by the sun;she does not erect, she excavates; she does not build, she clears.
Toiling away with her mandibles, atom by atom, she manages to contrive the passages and chambers necessary for her eggs; and a huge business it is. She has, in addition, to polish and glaze the rough sides of her tunnels. What would happen if, after obtaining a home by dint of long-continued toil, she had next to line it with wadding, to gather the fibrous down from cottony plants and to felt it into bags suitable for the honey-paste? The hard-working Bee would not be equal to producing all these refinements. Her mining calls for too great an expenditure of time and strength to leave her the leisure for luxurious furnishing. Chambers and corridors, therefore, will remain bare.
The Carpenter-bee gives us the same answer. When with her joiner's wimble she has patiently bored the beam to a depth of nine inches, would she be able to cut out and place in position the thousand and one pieces which the Silky Leaf-cutter employs for her nest? Time would fail her, even as it would fail a Megachile who, lacking the Capricorn's chamber, had herself to dig a home in the trunk of the oak. Therefore the Carpenter-bee, after the tedious work of boring, gets the installation done in the most summary fashion, simply running up a sawdust partition.
The two things, the laborious business of obtaining a lodging and the artistic work of furnishing, seem unable to go together. With the insect as with man, he who builds the house does not furnish it, he who furnishes it does not build it. To each his share, because of lack of time. Division of labour, the mother of the arts, makes the workman excel in his department; one man for the whole work would mean stagnation, the worker never getting beyond his first crude attempts. Animal industry is a little like our own: it does not attain its perfection save with the aid of obscure toilers, who, without knowing it, prepare the final masterpiece. I see no other reason for this need of a gratuitous lodging for the Megachile's leafy basket or the Anthidia's cotton purses. In the case of other artists who handle delicate things that require protection, I do not hesitate to assume the existence of a ready-made home. Thus Reaumur tells us of the Upholsterer-bee, Anthocopa papaveris, who fashions her cells with poppy-petals. I do not know the flower-cutter, I have never seen her; but her art tells me plainly enough that she must establish herself in some gallery wrought by others, as, for instance, in an Earth-worm's burrow.
We have but to see the nest of a Cotton-bee to convince ourselves that its builder cannot at the same time be an indefatigable navvy.
When and newly-felted and not yet made sticky with honey, the wadded purse is by far the most elegant known specimen of entomological nest-building, especially where the cotton is of a brilliant white, as is frequently the case in the manufacturers of the Girdled Anthidium. No bird's-nest, however deserving of our admiration, can vie in fineness of flock, in gracefulness of form, in delicacy of felting with this wonderful bag, which our fingers, even with the aid of tools, could hardly imitate, for all their dexterity. I abandon the attempt to understand how, with its little bales of cotton brought up one by one, the insect, no otherwise gifted than the kneaders of mud and the makers of leafy baskets, manages to felt what it has collected into a homogeneous whole and then to work the product into a thimble-shaped wallet. Its tools as a master-fuller are its legs and its mandibles, which are just like those possessed by the mortar-kneaders and Leaf-cutters; and yet, despite this similarity of outfit, what a vast difference in the results obtained!
