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第16章 MRS. MAVOR'S STORY(1)

The days that followed the Black Rock Christmas were anxious days and weary, but not for the brightest of my life would I change them now; for, as after the burning heat or rocking storm the dying day lies beautiful in the tender glow of the evening, so these days have lost their weariness and lie bathed in a misty glory. The years that bring us many ills, and that pass so stormfully over us, bear away with them the ugliness, the weariness, the pain that are theirs, but the beauty, the sweetness, the rest they leave untouched, for these are eternal. As the mountains, that near at hand stand jagged and scarred, in the far distance repose in their soft robes of purple haze, so the rough present fades into the past, soft and sweet and beautiful.

I have set myself to recall the pain and anxiety of those days and nights when we waited in fear for the turn of the fever, but I can only think of the patience and gentleness and courage of her who stood beside me, bearing more than half my burden. And while I can see the face of Leslie Graeme, ghastly or flushed, and hear his low moaning or the broken words of his delirium, I think chiefly of the bright face bending over him, and of the cool, firm, swift-moving hands that soothed and smoothed and rested, and the voice, like the soft song of a bird in the twilight, that never failed to bring peace.

Mrs. Mavor and I were much together during those days. I made my home in Mr. Craig's shack, but most of my time was spent beside my friend. We did not see much of Craig, for he was heart-deep with the miners, laying plans for the ****** of the League the following Thursday; and though he shared our anxiety and was ever ready to relieve us, his thought and his talk had mostly to do with the League.

Mrs. Mavor's evenings were given to the miners, but her afternoons mostly to Graeme and to me, and then it was I saw another side of her character. We would sit in her little dining-room, where the pictures on the walls, the quaint old silver, and bits of curiously cut glass, all spoke of other and different days, and thence we would roam the world of literature and art. Keenly sensitive to all the good and beautiful in these, she had her favourites among the masters, for whom she was ready to do battle; and when her argument, instinct with fancy and vivid imagination, failed, she swept away all opposing opinion with the swift rush of her enthusiasm; so that, though I felt she was beaten, I was left without words to reply. Shakespeare and Tennyson and Burns she loved, but not Shelley, nor Byron, nor even Wordsworth. Browning she knew not, and therefore could not rank him with her noblest three; but when I read to her 'A Death in the Desert,' and, came to the noble words at the end of the tale--'For all was as I say, and now the man Lies as he once lay, breast to breast with God,'

the light shone in her eyes, and she said, 'Oh, that is good and great; I shall get much out of him; I had always feared he was impossible.' And 'Paracelsus,' too, stirred her; but when Irecited the thrilling fragment, 'Prospice,' on to that closing rapturous cry--'Then a light, then thy breast, O thou soul of my soul! I shall clasp thee again, And with God be the rest!'--the red colour faded from her cheek, her breath came in a sob, and she rose quickly and passed out without a word. Ever after, Browning was among her gods. But when we talked of music, she, adoring Wagner, soared upon the wings of the mighty Tannhauser, far above, into regions unknown, leaving me to walk soberly with Beethoven and Mendelssohn. Yet with all our free, frank talk, there was all the while that in her gentle courtesy which kept me from venturing into any chamber of her life whose door she did not set freely open to me. So I vexed myself about her, and when Mr.

Craig returned the next week from the Landing where he had been for some days, my first question was--'Who is Mrs. Mavor? And how in the name of all that is wonderful and unlikely does she come to be here? And why does she stay?'

He would not answer then; whether it was that his mind was full of the coming struggle, or whether he shrank from the tale, I know not; but that night, when we sat together beside his fire, he told me the story, while I smoked. He was worn with his long, hard drive, and with the burden of his work, but as he went on with his tale, looking into the fire as he told it, he forgot all his present weariness and lived again the scenes he painted for me.

This was his story:--

'I remember well my first sight of her, as she sprang from the front seat of the stage to the ground, hardly touching her husband's hand. She looked a mere girl. Let's see--five years ago--she couldn't have been a day over twenty three. She looked barely twenty. Her swift glance swept over the group of miners at the hotel door, and then rested on the mountains standing in all their autumn glory.

'I was proud of our mountains that evening. Turning to her husband, she exclaimed: "O Lewis, are they not grand? and lovely, too?" Every miner lost his heart then and there, but all waited for Abe the driver to give his verdict before venturing an opinion.

Abe said nothing until he had taken a preliminary drink, and then, calling all hands to fill up, he lifted his glass high, and said solemnly--'"Boys, here's to her."

'Like a flash every glass was emptied, and Abe called out, "Fill her up again, boys! My treat!"'He was evidently quite worked up. Then he began, with solemn emphasis--'"Boys, you hear me! She's a No. 1, triple X, the pure quill with a bead on it: she's a--," and for the first time in his Black Rock history Abe was stuck for a word. Some one suggested "angel."'"Angel!" repeated Abe, with infinite contempt. "Angel be blowed,"(I paraphrase here); "angels ain't in the same month with her; I'd like to see any blanked angel swing my team around them curves without a shiver."'"Held the lines herself, Abe?" asked a miner.

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