"First draw the donkey," she replied, "that I may carry away a recollection of the /galantuomo/ who first upset him over the bank, and then helped me to load him." Smiling at this ambiguous compliment, I gave her the sketch she desired, and was about to claim my reward, when she abruptly remarked:
"There is not time now; it is getting late, and I must not linger, as I have still an hour to go before reaching home. How is it that you are not afraid to be wandering in this solitary glen by yourself? Do you not know the risks?"
"I have heard of them, but I do not believe in them," I said;"besides, I should be poor plunder for robbers."
"But you have friends, who would pay to ransom you, I suppose, if you were captured?"
"My life is not worth a hundred scudi to any of them," I replied, laughing; "but I am willing to forego the please of drawing you now, /bellissima/, if you will tell me where you live, and let me come and paint you there at my leisure."
"You're a brave one," she said, with a little laugh; "there is not another man in all Ascoli who would dare to pay me a visit without an escort of twenty soldiers. But I am too grateful for your amiability to let you run such a risk. /Addio/, Signor Inglese. There are many reasons why I can't let you draw my picture, but I am not ungrateful, see!"--and she offered me her cheek, on which I instantly imprinted a chaste and fraternal salute.
"Don't think that you've seen the last of me, /carrissima/," I called out, as she turned away. "I shall live on the memory of that kiss till I have an opportunity of repeating it." And as I watched her retreating figure with an artist's eye, I was struck with its grace and suppleness, combined, as I had observed while she was helping me to lead the donkey, with an unusual degree of muscular strength for a woman. The spot at which this episode had taken place was so romantic that I determined to make a sketch of it, and the shades of evening were closing in so fast that they warned me to hurry if I would reach the town before dark. I had just finished it and was stooping to pick up by air-gun, when I heard a sudden rush, and before I had time to look up I was thrown violently forward on my face, and found myself struggling in the embrace of a powerful grasp, from which I had nearly succeeded in freeing myself, when the arms which were clasping me were reinforced by several more pairs, and I felt a rope being passed round my body.
"All right, signors!" I exclaimed. "I yield to superior numbers. You need not pull so hard; let me get up, and I promise to go with you quietly." And by this time I had turned sufficiently on my back to see that four men were engaged in tying me up.
"Tie his elbows together and let him get up," said one; "he is not armed. Here, Giuseppe, carry his stick and paint-box while I feel his pockets. /Corpo di Baccho!/ twelve bajocchi," he exclaimed, producing those copper coins with an air of profound disgust. "It is to be hoped he is worth more to his friends. Now, young man, trudge, and remember that the first sign you make of attempting to run away means four bullets through you." As I did not anticipate any real danger, and as a prolonged detention was a matter of no consequence to a man without an occupation, I stepped forward with a light heart, rather pleased than otherwise with anticipations of the brigand's cave, and turning over in my mind whether or not I should propose to join the band. We had walked an hour and it had become dark, when we turned off the road, up a narrow path that led between rocky sides to a glade, at the extremity of which, under an overhanging ledge, was a small cottage, with what seemed to be a patch of garden in front.
"Ho! Anita!" called out the man who appeared to be the leader of the band; "open! We have brought a friend to supper, who will require a night's lodgings." An old woman with a light appeared, and over her shoulder, to my delight, I saw the face I had asked to be allowed to paint so shortly before. I was about to recognise her with an exclamation, when I saw a hurried motion of her finger to her lip, which looked a natural gesture to the casual observer, but which I construed into a sign of prudence.
"Where did you pick him up, Croppo?" she asked, carelessly. "He ought to be worth something."
"Just twelve bajocchi," he answered, with a sneering laugh. "Come, /amico mio/, you will have to give us the names of some of your friends."
"I am tolerably intimate with his Holiness the Pope, and I have a bowing acquaintance with the King of Naples, whom may God speedily restore to his own," I replied, in a light and airy fashion, which seemed exceedingly to exasperate the man called Croppo.
"Oh, yes, we know all about that; we never catch a man who does not profess to be a Nero of the deepest dye in order to conciliate our sympathies. It is just as well that you should understand, my friend, that all are fish who come into our net. The money of the pope's friends is quite as good as the money of Garibaldi's. You need not hope to put us off with your Italian friends of any colour; what we want is English gold--good, solid English gold, and plenty of it."
"Ah," said I, with a laugh, "if you did but know, my friend, how long I have wanted it too! If you could only suggest an Englishman who would pay you for my life, I would write to him immediately, and we would go halves in the ransom. Hold!" I said, a bright idea suddenly striking me. "Suppose I were to write to my government--how would that do?" Croppo was evidently puzzled; my cheerful and unembarrassed manner apparently perplexed him. He had a suspicion that I was even capable of the audacity of ****** a fool of him, and yet that proposition about the government rather staggered him; there might be something in it.
"Don't you think," he remarked, grimly, "it would add to the effect of your communication if you were to enclose your own ears in your letter? I can easily supply them; and if you are not a little more guarded in your speech you may possibly have to add your tongue."
